Saturday, September 28, 2019

Kitchen Hardware and Cheater Flooring



This is the last tutorial I have planned for the SAM (Society of American Miniaturists) Kitchen project.  I have saved the cabinet hardware and flooring for last.
 
Door Knobs:
Glass head pins (pale blue - JoAnn's)
Glass Stain
Small domed bead cap
Filigree snowflake type bead cap
small gold seed beads
Bead glue
Wire Cutters

To make the door knobs, first I painted some pale blue glass head pins with purple glass stain and let them dry.  Then I cut off the glass knob with wire cutters leaving about 1/4 inch of pin below (just enough to go through the dome bead cap and through the cabinet door.
Flatten the snowflake shaped bead cap and cut off the spikes with wire cutters. Two of these will be glued above and below the knob.
Make a guide hole in the cabinet door between the spikes (using another un-cut pin).
Trial fit and glue cut pieces as in the photo with one spike above and one below the knob.  Thread the small gold seed bead onto the pin and glue up against the glass head of the pin.  This elevates the knob slightly.  Then glue the pin into the small bead cap and through the cabinet door. Use bead glue that doesn’t frost the metal and glass parts.

 

Drawer Handles:
Brass wire – 20 gauge
Glass tube beads
Small 4mm Filligree ball bead
Small gold seed beads
Bead Glue

Make a 90 degree bend in the wire with the pliers.  Glue the beads in order like the photo and make another bend at the other end of the handle.  Poke guide holes in the cabinet with a pin the glue the handles in.

Cheater Flooring
The inlay design in the floor is made by using inlay strips used for decorating furniture.  These inlay strips can be found at woodworking stores (such as Woodcraft and Rockler) and also on Etsy.   The remainder of the floor was cut from thin veneer sheets - very thin wood backed with paper that can be cut with scissors.  This veneer can also be found at woodworking stores.  First trace out on the floor where the inlay design will go then fill in the areas around it with veneer.  Use wood glue.

Next month I will show photos of the completed kitchen and provide sources for the purchased items.  Thinking about the next project...

Saturday, August 31, 2019

LED kitchen cabinet lighting – those pesky lumps and wires!



Don’t you just love those LEDs?  The only problem is hiding the lumps and wires.  In today's post, I will describe what types of LED bulbs to use for cabinet lighting and how to hide the wiring.  First I have these tips working with LEDs:

LED Tips
  • Evan Designs – they have a great website that has lots of information about the types of LEDs and how to connect them.  They even have videos on how to put them in room boxes, how to splice, etc.
  • If ordering from Evan, always get extra long (14 inch) wires on your bulbs.  It only costs 10 cents extra per bulb and gives you a little more wiggle room when trying to hide lumps and wires.
  • For small projects (few bulbs), my advice would be to use the 3 volt bulbs and 3 volt button battery (or 2 x AAA battery pack OR 2 x AA battery pack, all are 3 Volt).  The reason is that there are no lumps on the 3 Volt bulb wires and they are easier to use in fixtures and hide behind backsplashes, etc. (chips - nano, pico, etc).  I used a 9 Volt battery in this project because the bulbs provided with the kit (which I used for the sconces) were that type.
All bulbs for this project were the types that work with 9 Volt batteries (5-13 Volt use range).  Bulbs sizes used for this project:

Sconces – 1.8 mm bulb
Inside cabinet (upper) – “nano” chip
Under cabinet – “chip” size
Other supplies: 9 Volt battery holder and battery, switch, extra wire and heat shrink tubing for splicing.

Hiding Wires
  1. Sconces – see my previous blog for how I made and installed these.  These 1.8mm bulbs have thicker wires that are harder to hide.  The sconce wires exited the back of the upper cabinets and were glued across the back to the center joining the other wires (upper and lower cabinet bulbs) and brought down behind the backsplash.
  2. Upper cabinet lights – I made a hole at the top back of the cabinet.  Before putting the bulb through I carved a channel down the back of the cabinet and removed just a couple layers of paper with my X-Acto.  This is where the wires would lay when the cabinet is glued to the wall.  Next, I pushed the bulb through the hole (the “nano” chip is almost smaller than the wires).  I glued the nano chip with Crafter’s Pick Ultimate glue to the inside center top of the cabinet.  I held it in place with small clamps (careful not to break the chip with too tight clamps).  When the bulb was set and dry, I laid the wires in the groove then covered it with a strip of index card.  I painted the red and green wires to match the inside cabinet.
    Carving a channel for wires

     

  3. Under cabinet lights – These were glued to the underside of the upper cabinets about halfway back (putting them too near the front makes them too visible).  I used a small spring clamp to hold the bulb while it dried. After the glue was dry the cabinets were glued to the wall.
  4. After hanging the upper cabinets, I had 3 sets of wires below each cabinet (sconce, upper cabinet light, under cabinet light).  The backsplash was going to cover the wires on the wall.  The backsplash was tile paper glued to thin cardboard.  I then glued “spacers” of 1/16th thick basswood to the back allowing a channel between the wood pieces for the wires.
    Backsplash with spaces for wires
  5. In the area behind the lower cabinets, I had to splice in additional length on some of the bulb wires so they would reach over to the battery holder.  In the photo above you can see the "lumps" in the wires just below the backsplash tile.
  6. I made my lower cabinet fronts removable for access to the battery.  There is a “toe kick” (strip of cardboard painted to match the base color of the cabinets).  The cabinet front is held in place by tension.  Foam core dividers prevent the front from pushing in too far.
  7. The battery pack has a small button.  I carved a hole in the side of the box (under the counter) so that just the button could be pulled outside.

  8. After the sink was glued in, the counter top was placed on and the false front pushed in place concealing the wires and battery.
I hope this post is helpful to someone wanting to use LEDs and hide wiring in a small project.  Next month – a few final details on this kitchen– custom made cabinet hardware and “cheater” flooring!

Saturday, August 10, 2019

Artichoke Sconces Tutorial – adapting battery type LED bulbs to sconce fixtures


This is the 5th in a series covering a mini kitchen project (going back to March, 2019).  This blog is a little more complicated than some of my other posts. I want so badly to use LEDs in my miniature lighting but some are so hard to fit through the typical tubing or beads that I want to make fixtures from. For these sconces I used some LEDs that were provided with the kitchen kit.
 
They are the 1.8mm LEDs wired for use with a 9 volt battery. They have a thick lump near the bulb that protects against high voltage. But this lump won’t fit through the brass tubing I wanted to use so I had to bend it. See photos further down for how I modified the bulb.

For this project, here is a photo of some of the supplies you will need:
 
  • polymer clay artichokes. You must be able to be cut through these (not resin or porcelain)
  • 3/32 outer diameter brass tubing, about 3 inches total
  • Sconce plate or base (I used a 3/8 inch square brass piece (JAR-JAF Miniatures Item #213) with a hole to accept the brass rod) 
  • Candle Cup (JAR-JAF Item 626 or 1579) 
  • Straight pin with a metal bulb on the end (dressmaker pin?) 
  • Aquarium type clear tubing for shades, 3/8 diam (about 1” piece) 
  • Fabric to cover the shade 
  • Index card 
  • X-Acto knife 
  • Razor saw and miter box (to cut brass tubing) 
  • LED light bulbs (Evan Designs) - I used the 1.8mm but smaller will work too.
  • Crafter’s Pick Ultimate glue 
  •  needle nose pliers
Instructions
  1. Cut into the artichoke from the center top make a slice approximately half way down. Hollow it out if necessary. You will need to be able to fit two brass rods in the center. I had to remove a bunch of cotton stuffing from mine
     
  2. “Drill” two holes in the artichoke (using the pointed tip of a #11 X-acto knife). One hole at the center top and one at about halfway down the side. The holes must fit the 3/32 brass rods. (only 1 hole shown in the photo).
  3. Sand a little off the very tip of the bulb to make the light spray out (fine emery board). Otherwise it will make a kind of ‘cone’ pattern on the wall or inside the cabinet where you mount it. Don’t sand too much or you will damage it! 
  4. Bend the bulb in a “U” shape being very careful not to cut the wires or break the plastic. I used a small needle nose pliers. It must fit into your shade so that the shade completely covers it (see also photos, step 14).
    Close UP of bent bulb - I painted it gold to disguise the black
  5. Test your bulb after you bend it (hold the wires to your battery connector wires - red to red and black to black!) 
  6. If desired (to make the light warmer) paint the bulb with a yellow-ish paint. 
  7. Shade – Find some tubing the size you need. I found clear tubing (Home Depot) 3/8 inch in diameter. Cut it to the length you need (mine was 3/8 inch). 
  8. Cut a strip of index card to cover the tube and overlap about 1/8 inch.  Cover index card with fabric clipping corners and allowing one angled flap. Fold fabric over on both long edges to cover the card. Don’t fold fabric over the short edges or it will be very thick.

  9. Wrap the shade around the tubing and overlap the fabric at the back. Try to keep it neat with no frayed strings. 
  10. Note: I use Crafter’s Pick Ultimate glue for the following steps. It seems to hold pretty quickly and grabs well. Depending on your sconce, size of your artichoke, and how much tubing you want to protrude through the wall, decide how long each ‘leg’ of brass tubing ‘elbow’ should be. Cut the brass tubing into two pieces using a razor saw and miter box. 
  11. Thread the bent bulb down through the top piece of tubing then through the other piece. Leaving a little wire showing between the two, bend them at right angles. TRY NOT TO CUT THE WIRE WITH THE EDGE OF THE TUBE.
  12. The two pieces will be secured at a right angle in the middle of the artichoke and held with glue. 
  13. After the brass tubes are glued inside the artichoke, glue the brass plate to the artichoke. Try to keep the plate parallel to the upright tube and hold it until it is somewhat set. 
  14. When the tubes are dry, glue the lamp shade over the bulb. It will not get hot since it is an LED so no worry about the glue melting.
  15.  One more thing I did was to make a finial for the bottom of the artichoke. I used a pin (painted the pin head gold) stuck through a candle cup finding and up into the bottom of the artichoke. 
  16. Attaching Sconce to Cabinet: Since the cabinets were cardboard, it was not hard to poke holes where I wanted to mount the sconces. I brought the wires to the inside of the cabinet then cut another exit hole through to the back of the cabinet and pushed them through to the back.  I glued them against the cabinet side using a piece of scrap wood and small clamps to hold wires. 
  17. I painted the wires to match the inside of the cabinets. (in this photo you can also see the very tiny LED glued to the inside top of the cabinet for interior cabinet lights – next post!)
     
    Finished sconce mounted on side of cabinet.
  18. Next time I will show how the wires are combined with the other lights (under cabinet in inside cabinet).  Also how I hid the battery and switch.
  I hope this post will give someone the inspiration to try to adapt LED lights to mini fixtures.

Tuesday, June 25, 2019

Faux Carving (Method 2!) - Embellished Lower Kitchen Cabinets


This is the fourth in a series of blogs describing a kitchen project.  The first blog started in March (click the archive link at the side to go back). Two blogs ago, I shared a method of simulating carving using nail jewels, wood scraps and hand fan blades (for link click here). In this blog I will share my favorite technique for faux-finishing – using embossed gold foil shapes to simulate carving.

Before I get to the cabinet doors, I want to make mention of another (similar) embellishment technique – metal stampings (like jewelry findings).  The fluted posts shown with the lower cabinets are actually laser cut wood.  They were provided with the kitchen kits. Here is what they looked like before adding the jewelry finding and faux finish:

Brass finding for embellishment

I cut the metal finding apart then glued the pieces on then faux finished them in antique pine as was done for the upper cabinets in the previous blog.  You can find these by searching Ebay for "victorian brass stamping".  See the photo below for "after" faux finish.  This idea was inspired by Sandra Manring's kitchen (see her full kitchen photo in this blog post)

Now for the foil paper embellishment technique.  The lower cabinets are non-functional.  The project kit included a backing board which I painted a pale green (photo above).  The wooden trim pieces and finished doors were glued to the backing board.  The entire board was not glued in but I made it to fit tightly so it could be removed to hide the wiring (a later blog).

The laser cut doors and drawers had an etched center frame.  I removed a tiny sliver – a couple of layers of paper – from the inner frame to give it a little depth.

After removing the layers just in the etched crack, I burnished it with the edge of a cardboard – so it would be a little smoother when painted.


This is my favorite embellishment hint – foil applique’s!  The gold foil shapes are called “Dresden foil”.  I cut them apart and used small pieces to fit into the inner rectangle of the doors.  The very narrow foil trim strips (bottom of photo below) I mitered and used around the center rectangle.  On the narrow ‘drawers’ I just used the narrow trim.


Supplies Used:
Gold foil appliques - "Dresden Foil" (Ebay, Etsy)
Gesso base coat - white
Light base coat acrylic paint (Americana Hauser Green mixed with white)
Darker color for glaze (Americana Hauser Green)
Plaid/Folk Art (brand) Extender - allows mixing paints without drying out quickly
Small paintbrush, preferably the width of the door frames

After gluing on the foil, the next steps are shown in photo below, but to summarize:
  • Base coat over the foil and cardboard with Gesso
  • Base coat over the Gesso with light green (same color used for the base that the doors will be glued to)
  • Glaze with a darker green mixed with “Extender” letting it puddle in the carved areas and wiping off the higher areas with a paper towel.
Let dry – extender takes a while and stays tacky for a while.

Finished cupboard doors.

Across the bottom of the cabinet base I put a narrow strip for a “toe kick” painted the same light green base coat.

Below is a photo of the finished doors with the wood trim pieces mentioned before. The area below the sink would later be covered with a skirt.  Green may not be everyone’s cup of tea for a kitchen but I happen to love the green/lavender combination!


Next month  I will cover some of the lighting I used in this project.  You can't see it in the photo but the entire lower front cabinet section is a removable panel (one piece).  Behind this panel I hid the wiring and 9 volt battery for the lights.  See you next month!

Tuesday, May 28, 2019

Faux Antique Pine Kitchen Cabinets - Paint Technique



Continued from the previous blog where we left off having primed the embellished cabinet doors with Gesso...Above is a photo of what the cabinets will look like at the end of this post.

The antique pine finish is made with acrylic paint and an "antiquing glaze" product which is usually sold in the same type/size bottles as the acrylic bottled paint.  Look for antiquing glaze products in the same aisle (with the paint) in Michael's or Hobby Lobby.

Here is another look at the finish I was trying to mimic.  This is a clipping from a magazine of an antique pine dish cupboard.  At the bottom of the photo are my trials in paint base coats.  At the bottom right is a laser cut decorative piece that was provided in the kit for embellishing the lower cabinets (future blog post):


So to continue with the faux paint technique, you will need:

400 grit sandpaper
Base Coat acrylic paint (I used a mixture of Maple Sugar and Desert Sand)
Plaid (brand) "Antiquing Medium" - Cocoa Bean (or any of the dark browns)
Ceramcoat (brand) Burnt Sienna
Plaid/Folk Art (brand) "Extender" - allows mixing paints without drying out quickly
Small, flat paintbrush, preferably the width of the door frames


Sanding - After the gesso was dry (last blog post), sand just a little on the flat areas using 400 grit sandpaper.


Pine Base Coat - I needed a base ‘pine’ color, like a yellow or tan.  I experimented with both Maple Sugar and Desert Sand and both seemed good.  I ended up using a little of both – not entirely blending them together but using a little of each here and there as a base coat.  Base coat the entire cupboard door.


Glaze – I practiced a lot on scraps of wood.  See photo below.  This was a lot of trial and error mixing the glaze product with a dark reddish brown (Burnt Sienna) and "extender", trying to get it so it was thin enough to flow and easily wipe off.  The practice piece with 'carving' (actually a scrap of laser cut fan blade) has dark splotches where I was trying to make 'knot holes'.  You can kind of see the different base coat colors under the glaze streaks.  Practice on a paper plate then something similar to your doors.


On the actual cupboard doors, I glazed sections at a time.  First one of the vertical frame sections then the other vertical then the horizontal. I dipped my paintbrush in a tiny amount of each of antiquing glaze and burnt sienna.  I then dipped the brush in a little of the extender and brushed back and forth on a palette (actually the flat area between the little dips in the plastic paint pan).


This diluted glaze mixture I brushed over the faux carved area and the flat areas of the mat board in long strokes with the “grain” (vertically on the cabinet door).  After lightly covering one side of the cupboard door, I then dragged the brush up and down (flat area only) making sort of a wood grain.  Then I just touched the end of the brush bristles sort of making a dotted design (like a knot or branch) here and there.  The extender makes it easier to go over it a few times until it looks like wood. 

When finished with one area of the cabinet door, move to the other vertical surface then do the horizontal frames.

It’s hard to explain the technique but I practiced a lot on paper plates before actually doing the cabinet doors to get a look I liked.  Here is an up close look at the doors.


When the cabinet faces were done, I did the edges of the doors and the edges of the window openings.  Then do the cabinet sides, bottom and tops trying again to use the brush to make streaks like wood look and knot holes (if you are ambitious!)
Here is a photo of the bottom of one of the cabinets (where I was cutting a hole for the wiring).  You can see the streaks of the wood grain. You can also see two different base coat colors where I changed my mind (but it was under the cabinet so I didn't attempt to fix it!)


I didn’t use any kind of top coat or varnish after painting and glazing because I wanted a sort of ‘dry wood’ look like the unfinished pine antiques I have seen.

That's it for the faux pine look.  Next blog we will embellish the lower cabinets using one of my favorite 'faux carving' techniques - to be revealed soon!